All posts tagged: Hong Kong

Wikibuilding: The User-Generated Urbanism

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The topic is not really new. At the end of the 2000s,  some sociologists and urban planners had prefigured the emergence of a “city 2.0” referring to the emergence of collaborative practices on the Internet: blogs , Wikipedia and maps that made digital more prevalent in our cities. Even though collaborative planning is not necessarily linked to digital, the consultation process is now common for most urban projects. Thereforce, user-generated urbanism might be the future of cities. In France, the phenomenon has reached a new level with the birth of Wikibuilding. The building would be designed within a wiki process, all plans and experimentations being open source. Any citizen would be able to draw, to use, to improve or to test the building. Promoters or insurers would test the wikibuilding with residents, real estate agencies and 5% of the area would be reserved for a living Lab. Wikibuilding would be a place for experimentation and open to the architecture schools in order to design and include continuous Open Design updates. The Paris School of Architecture is already …

Hong Kong: Inside Zhu Jinshi’s Boat

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Born in Beijing in 1954, Zhu Jinshi moved to Germany in the mid-1980s, and at present lives and works in Beijing. Zhu began painting abstract works in the late 1970s, and participated in the Stars group exhibition, the first avant-garde art exhibition held after the Cultural Revolution. The core of Zhu’s artistic practice is most fittingly characterized by traditional Chinese aesthetics, which emphasises the harmony between human beings and the natural world. Part of the legendary generation of artists who left China in the 1980s, Zhu Jinshi was clearly marked by his move to another country and culture. He used contemporary Western art languages to find the contemporary possibilities in the cultural resources and materials of China. At Exchange Square in Hong Kong, visitors are immediately greeted by Zhu Jinshi’s monumental Boat. Bamboo, cotton and 8,000 sheets of pale white Xuan (rice) paper meticulously hang from the ceiling, forming a spherical tunnel and stopping just before touching the ground. “I used materials, thoughts, and traditions of the East as a tool to go against the …