Author: Sandrine Virginie HILAIRE

Won Sou-Yeol: The Art Of Korean Abstraction

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Based in France since 1984, Won Sou-Yeol was born in a small town on the island of Chejudo in South Korea. This place between land and sea has nurtured her inspiration through the strength of the natural elements, which are to be found in her painting. Her work is imbued with dynamism and power marked by the contrast between black and white, light and shadow. Master of calligraphy, she mixes her technical spontaneity with a large and concentrated gesture. Like a dance where cracks and splashes are created. “I kept my strength. I was not talking to anyone. I was not sleeping. “. The work and the artist are one. Won Sou-Yeol is devoted entirely to her art. At the point that she said that one day, while she was painting, she wanted to look at the clock. Three years had elapsed. Won Sou-Yeol wants to free herself of something that belongs to her. Her work is a weapon of freedom both strong and light. It enables to access the immaterial world that fascinates her. …

Wikibuilding: The User-Generated Urbanism

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The topic is not really new. At the end of the 2000s,  some sociologists and urban planners had prefigured the emergence of a “city 2.0” referring to the emergence of collaborative practices on the Internet: blogs , Wikipedia and maps that made digital more prevalent in our cities. Even though collaborative planning is not necessarily linked to digital, the consultation process is now common for most urban projects. Thereforce, user-generated urbanism might be the future of cities. In France, the phenomenon has reached a new level with the birth of Wikibuilding. The building would be designed within a wiki process, all plans and experimentations being open source. Any citizen would be able to draw, to use, to improve or to test the building. Promoters or insurers would test the wikibuilding with residents, real estate agencies and 5% of the area would be reserved for a living Lab. Wikibuilding would be a place for experimentation and open to the architecture schools in order to design and include continuous Open Design updates. The Paris School of Architecture is already …

Hong Kong: Inside Zhu Jinshi’s Boat

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Born in Beijing in 1954, Zhu Jinshi moved to Germany in the mid-1980s, and at present lives and works in Beijing. Zhu began painting abstract works in the late 1970s, and participated in the Stars group exhibition, the first avant-garde art exhibition held after the Cultural Revolution. The core of Zhu’s artistic practice is most fittingly characterized by traditional Chinese aesthetics, which emphasises the harmony between human beings and the natural world. Part of the legendary generation of artists who left China in the 1980s, Zhu Jinshi was clearly marked by his move to another country and culture. He used contemporary Western art languages to find the contemporary possibilities in the cultural resources and materials of China. At Exchange Square in Hong Kong, visitors are immediately greeted by Zhu Jinshi’s monumental Boat. Bamboo, cotton and 8,000 sheets of pale white Xuan (rice) paper meticulously hang from the ceiling, forming a spherical tunnel and stopping just before touching the ground. “I used materials, thoughts, and traditions of the East as a tool to go against the …

The Geography Of Innovation Is Shifting

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When a prominent venture capitalist of California invested one billion dollars in high risk green technology, Silicon Valley recalled the world that in innovation, geography is karma. What Vinod Khosla’s story tells us is that location is crucial when dealing with innovation and technology. Thirty years earlier Vinod left India to study management at Stanford University in California. In 1981, fresh out, he founded Sun Microsystems, a computer manufacturer . Innovations do not occur anywhere but often in geographic clusters where investors, large research universities, existing technology companies, engineers, designers, artists and scientists are always willing to think outside the box. Those people are part of what Richard Florida calls the Creative Class. His paradigm asserts that innovation is the outcome of creativity, this latter being the outcome of human creation for a concrete realization which then might lead to innovation. As far as geography and clusters are concerned, the Silicon Valley has been for several decades considered as the only creative and innovative hub worldwide. This is clearly changing. The geography of innovation is shifting. For proof, start with Google, …

Questioning The Definition Of Startup

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Steve Jobs often spoke of Apple “startup culture” and the New York Times referred to the airline Virgin America as “a startup”. Today any small company operating in the digital industry tends to be defined as a startup. Hence confusion in perception, consistence and business models in the startup scene worldwide. Steve Blank, one of the most influential people in Tech and teacher at Stanford, defines a startup as “an organisation formed to search for a repeatable and scalable business model”. The key attribute is not to be a tech company. Neither to be a small company using digital and/or operating on the Internet. The key attribute is a repeatable and a scalable business model. In recent years, popular lexicon has begun equating startups with tech companies, as though the two are inherently intertwined. But let’s face it. Is Uber with a valuation record of $17bn still a startup or rather a multinational logistics company which generated $213 million revenue in 2013? Mark Babbitt, CEO at YouTern, an online community focusing on careers management, expanded …

Innovation > Debunking Public vs. Private Sector Myths

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Common sense in Economics claims that the role of the State is to overcome market failures and protect competition. According to this, public intervention is not justified unless private agents are unable to produce a satisfactory outcome for all. The drive for initiative and dynamism would belong to the private sector, whereas the State unduly protects special interests, produces absurd and penalizing regulations for entrepreneurship by wasting resources that could be better used by private firms. These arguments emerge regularly in discussions on innovation and disruption. The “Knowledge Economy” has produced a Schumpeterian Hero. The Entrepreneur has become the central pivot of economic development by taking risks to create new products and jobs that require Venture Capital and a light regulatory framework. This entrepreneurial culture has fostered the development and the myth of the Silicon Valley. In a recent study (1), Mariana Mazzucato, Professor of Economics of Innovation at the University of Sussex, shows how this myth of the Silicon Valley propagates a distorted view of the respective roles of the public sector and private …